Description
Explore the intricate world of masculinity in Stalinist cinema with 'New Soviet Man.' This groundbreaking study delves into how Soviet films served as a critical bridge between Stalinist ideologies and the everyday lives of their audience. The book provides an insightful analysis of the cultural constructs surrounding masculinity during a transformative era in Soviet history. Through detailed examinations of key film genres—from depictions of prosperous collective farms to representations of life in the capital—readers will uncover the complex relationship between the patriarchal figure of Stalin and his so-called 'model sons.' This compelling work also addresses contemporary discussions on the relevance of cinema and masculinity, offering a rich tapestry of theoretical insights and comparative analyses. Uncover the layers of subversion and appeal within Stalinist films, as 'New Soviet Man' reveals how the cinematic representation of masculine ideals contributed to and reflected the broader social dynamics of the time. Perfect for students of Soviet history, film studies enthusiasts, and anyone intrigued by the dimensionality of gender roles in cultural narratives, this book is an essential addition to your collection.