Description
Discover the intricacies of Film Authorship in this comprehensive and illuminating book. Published by Columbia University Press in 2011, this essential text (ISBN: 9781906660246) delves deep into the contentious debates surrounding film authorship. With a focus on the evolution of cinematic authorship theories, this book caters to critics, historians, and students alike, offering an accessible analysis of what constitutes a film's author. The debate around film authors continues to ignite passionate discussions, and this volume provides a well-researched exploration of the historical context and theoretical foundations that shape our understanding of authorship in cinema. Through richly detailed illustrations and case studies, Film Authorship navigates the complex landscape of ownership and creative control in film production. It also proposes a forward-thinking reconceptualization of the concept of authorship, grounding the discourse in empirical analyses of actual film production processes. Whether you are a film scholar, a cinephile, or simply curious about the dynamics of creativity in filmmaking, this book is an indispensable resource. Dive into the debates and discover how the concept of authorship can be understood through the lens of modern filmmaking practices. Experience the evolution of film ideologies and explore how they intersect with societal narratives. Perfect for anyone interested in the arts, cultural studies, and film theory, Film Authorship is your go-to guide for understanding this compelling aspect of cinematic studies.