Cane

SKU: PR264833

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Description

Experience the transformative power of Jean Toomer's Cane, a seminal work first published in 1923 that remains a cornerstone of American literature. This innovative piece blends drama, poetry, and fiction to paint a vivid portrait of African American life in the South. Rich in imagery, Toomer captures the essence of Southern rural and urban experiences through impressionistic and sometimes surrealistic sketches. Readers will be drawn into a world filled with the evocative sights of smoke, sugarcane, dusk, and fire. In contrast, Toomer presents the northern landscape as a stark reality marked by asphalt streets.

This edition features insightful contributions from Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, providing a fresh afterword that contextualizes Toomer’s work within the dynamics of American modernism and the Harlem Renaissance. Their groundbreaking biographical insights delve into Toomer's changing self-identification and his pioneering critique of race as a biological concept.

Ideal for students of literature, scholars of the Harlem Renaissance, and anyone interested in the complexities of race and identity, Cane is a must-read. Dive into Toomer's rich narrative craftsmanship that fuses lyrical beauty with profound social commentary.

Condition: BRAND NEW. ISBN: 9780871402103. Year: 2011. Publisher: W W Norton & Company. Pages: 256.

Shipping Information: Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9780871402103
Year: 2011
Publisher: W W Norton & Company
Pages: 256


Description:


First published in 1923, Jean Toomer's Cane is an innovative literary work”part drama, part poetry, part fiction”powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.

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